Tentative audition dates for this season's plays have been set.
The Best Christmas Pageant Ever (Comedy/Children's Show)
Auditions: October 15-18, 2018
Production Dates: December 7-9, 2018
Beth Bradley’s church’s Christmas pageant is predictable every year -- the angel choir wears too much lipstick, the shepherds are all in their father’s bathrobes, the minister’s son is permanently cast in the role of Joseph -- hardly “four-star entertainment.” But when seasoned and authoritative pageant director Mrs. Armstrong breaks her leg, it is up to Beth’s inexperienced mother Grace to step in. The timing couldn’t be worse, as the rambunctious Herdman children, a rough and tough group of siblings from the wrong side of the tracks, descend upon the pageant, lured by the promise of free dessert at Sunday school, and determined to win all the lead roles for themselves. The Ladies’ Aid Society members are beside themselves with disapproval, all the shepherds quit because Gladys Herdman “hits too hard”, the show is briefly re-titled “Revenge at Bethlehem”, and the church catches on fire. But Beth and her community watch in surprise as the same old Christmas story is rejuvenated by the creativity, energy, and unexpected sincerity of a misunderstood young family. Mary Robinson’s The Best Christmas Pageant Ever, based on her novel of the same name, is a widely beloved Christmas tale, warm and incredibly funny, full of characters both relatable and utterly unique. The large cast and age range make this show a community favorite, in which a varied, multi-generational group of performers can come together.
Cast Size: 4 males, 6 females, 8 boys, 9 girls, plus extra angel choir members, baby angels, shepherds
Auditions: November 26-29, 2018
Production Dates: April 4-7, 2019
Based on the novel of the same name by E.L. Doctrow, Ahren’s and Flaherty’s Ragtime is a compelling epic capturing the American experience at the turn of the 20th century. Tracking three diverse families in pursuit of the American dream in the volatile “melting pot” of turn-of-the-century New York, Ragtime confronts the dialectic contradictions inherent in American reality: experiences of wealth and poverty, freedom and prejudice, hope and despair. Over the course of the show, the worlds of a wealthy white couple, a Jewish immigrant father and his motherless daughter, and an African American ragtime musician intertwine. Together, they discover the surprising interconnections of the human heart, the limitations of justice and the unsettling consequences when dreams are permanently deferred. Featuring many of the historical figures that built and shaped turn-of-the-century America, including J.P. Morgan, Emma Goldman, Harry Houdini, Evelyn Nesbit and Henry Ford, this musical sweeps across the diversity of the American experience to create a stirring epic that captures the beats of the American experience: the marches, the cakewalks and - of course, the ragtime.
Cast Size: 11 males, 6 females, plus ensemble
Almost, Maine (Romantic Comedy)
Auditions: April 8-11, 2019
Production Dates: June 6-9, 2019
Welcome to Almost, Maine, a place that’s so far north, it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town, because its residents never got around to getting organized. So it almost doesn’t exist. One cold, clear, winter night, as the northern lights hover in the star-filled sky above, the residents of Almost, Maine, find themselves falling in and out of love in unexpected and hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend—almost—in this delightful midwinter night’s dream.
“ALMOST, MAINE is a series of nine amiably absurdist vignettes about love, with a touch of good-natured magic realism…witty, romantic, unsentimental. A beautifully structured play, with nifty surprise endings (most but not all of them happy).” —NY Times. “Sweet, poignant, and witty. Nearly perfect. ALMOST, MAINE’s charm is real. [It] packs wit, earns its laughs and, like love, surprises you.” —NY Daily News. “Mega-hit ALMOST, MAINE lands somewhere between Norman Rockwell and Our Town. Unabashedly unhip. There is no pretense of an edge here—the show offers a sweetness and decency that’s become rare at the theater. At this point, it’s a welcome breath of fresh air.” —New York Post.
Cast Size: 2-4 females, 2-4 males
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